Tuesday, October 10, 2017

A tale of two fabrics

I started working on Lemoyne Star blocks in batiks last week.  Here's what I was hoping for:


This was not last week's attempt!  Last week's block turned out like this:


I think this looks like a hot mess.   I love this batik print, but it didn't work here at all!  One problem was that the dark background in the print and spots where the blue is deeper blend into my block background too much.  Another is that the scale of the print is too large for the pieces so the pretty gets cut up and lost, and I'm left with, well, this.

This was just too depressing to deal with last week.  What to do?  Start a new project, of course!  I worked on that the rest of the week and pieced a backing for it today.  It's all in bright, pretty leftovers from my recently finished Wandering Geese quilt, and the pieces and colours all played together just as they were supposed to.  I'll share more about that one later this week.  Anyway, working on that cheered me up considerably, so I had the courage to pull out the Lemoyne Stars again.

I bought a few brighter, smaller scale batiks to substitute for some of my previously selected batiks.  I still love the first selection, but they are going to have to find another project to play in (oh, the hardship!).  Tonight I made the lighter block above, and I think I can keep going on that track.  First I'll need to press my new selections that got forgotten in the dryer last night.


I think I will leave that for tomorrow evening.  Right now, as the weather had cooled off, I feel like an evening with a quilt pooled in my lap while I hand quilt it sounds appealing.  I have made woefully little progress quilting my daughter's Chic Country so I had better get to it while the mood strikes!

Sunday, October 1, 2017

Wandering Geese, Take 2

Wandering Geese, Moda Grunge version, had its photo shoot at a local conservation area yesterday.  The weather was beautiful for a walk, but a little breezy for pictures!


 (I'm not sure how to embed video here, but if you want to see what I mean, you can see the video on Facebook here.)

We did manage to get a few pretty photos by ducking into the woods.


I love how the quilt is just floating here!  I'm surprised my husband's feet aren't showing, but I'll take it!


We gave up on the shot I wanted, of prairie and sky in the background. Laying it down on the ground on the prairie path was the closest we could get.


My husband indulged me, stepped off a path (after I checked for poison ivy), tripped on some vines and set up this quilt on a tree shot, hanging it off a large knot like a towel on towel hook.


This quilt was quilted entirely with my walking foot, using black Aurifil thread to stitch in the ditch around every patch and diagonal lines one inch apart in the background.  I toyed with stitching triangles of some sort in the piano key border, but realized as I was marking them that they would be too busy.  I opted for two sets of straight lines running perpendicular to the piano keys.  These lines, and a few extra ones in the large flying geese, are stitched with a variegated Sulky Blendables thread that picks up all the colors and seems to add a soft glow.  I couldn't get that to show up in my picture, but it worked really well.


This quilt will replace the original on the cover of the pattern.  I just need to take a few possible covers to the printer's and see which photo looks best in print.  The colors on my computer monitor and the printed page seldom agree!

In the meantime, I'm using up scraps from this quilt to make an updated version of Jelly Bean Stars in Moda Grunge as well.  Pictures of that will follow eventually, but for now I'll share one more picture from yesterday, just because I have about 50 of them to choose from (gotta love digital photography)!