Monday, May 11, 2026

City Line quilt

My designs often develop in clusters, where I start with one idea that develops in multiple different directions.  City Line is part of one of those clusters, coming along for the ride with the Love Large strip-friendly heart quilt.

Quilt featuring 12 staggered vertical columns pointed at each end floating on a light background.  Each column consists of two vertical strips in contrasting color values.  The panel of columns is bisected horizontally by a pieced band of squares (3 squares high by 24 squares wide).  Fabric prints resemble stone textures.  Colors rangle from dark to light blue, and a bit of green.
City Line by Canuck Quilter Designs
This version made with Northcott Stonehenge Gradations fabrics

In both designs I was experimenting with ways of using panels made of precut strips (spoiler in case you stop reading too soon:  City Line ended up not using precut strips!).

Here's the first draft of what became City Line.

Quilt featuring staggered vertical columns, pointed at each end, floating on a light background.  Each column consists of two vertical strips in contrasting colors.  The panel of columns is bisected horizontally by 3 pieced bands of squares separated by thin sashing matching the background.  Colours include pink, green, purple and blue.
First Draft of City Line

As you can see, it wasn't quite there yet. I played with the center band little more, testing out different spacings, more sashing, less sashing, no sashing.  Eventually I landed on the checkerboard look I chose for the final version.

About this time digital fabric swatches for Northcott's Bordeaux line arrived in my inbox and I recolored with those because they were just so pretty.

Quilt featuring staggered vertical columns, pointed at each end, floating on a light background.  Each column consists of two vertical strips, one a darker and one lighter.   The panel of columns is bisected horizontally by a pieced band of squares (3 squares high by 24 squares wide).  Fabric prints are red and white florals, with half being more dominantly red, and the rest being more dominantly white.

Here's where I shifted away from precuts.  First, I don't think this collection will have precuts (it will ship to stores this fall). Second, this would only use 26 of the 40 to 42 strips in a strip pack.  that's not ideal.  Finally, when I used these red and white prints, I had to carefully choose placement to keep the red-on-white prints separate from each other because they blended together otherwise and the design was lost.  Keeping the darker fabric on the left of each column and the lighter on the right created a slight dimensional effect that I rather liked.  So, what happens if the fabrics in a strip set don't have as much value variation?  It might be harder to create that effect.

Maybe yardage, where you have more control over the fabric choices, would be a better bet.  Also, as much as I love these red and white florals, I wondered if more subtle prints or tone-on-tones would do a better job emphasizing the dimensional element.  I reached for Nortcott Stonehenge Gradations for subtle texture.  (All that said, if you don't mind having leftover strips, and your strip pack includes a good range of values, you can choose to use precuts if that's your preference.)

Quilt design featuring 13 staggered vertical columns pointed at each end floating on a light background.  Each column consists of two vertical strips in contrasting color values.  The panel of columns is bisected horizontally by a pieced band of squares (3 squares high by 24 squares wide).  Fabric prints resemble stone textures.  Colors rangle from dark to light blue, and a bit of green.
Second to last draft of City Line design


Almost there! The last little tweak came whan I worked out yardage requiremenmts.  I thought eight fabrics was a good number, with enough variety but not too many choices to make.  Starting with that number, and the number of strips needed in each fabric, I found two fabrics would need more yardage than the rest.  Wouldn't it be easier to use the same amount of each?  That way I wouldn't have to decide which two fabrics would have more before I was able to shuffle the fabric on my design wall.  Removing one pair of strips made the math math beautifully.

A nice side effect?  I like the aspect ratio of the final design more than the original.  Yay!

Here's a quick look at the making of the quilt.

8 different colored fabric strips laid side by side, in varying shades of blue, teal and green.
Auditioning fabric order

Two-colour columns laid side by side at varying heights over a light background. float
Piecing the panel



Quilt featuring staggered vertical columns pointed at each end floating on a light background.  Each column consists of two vertical strips in contrasting color values.  The panel of columns is bisected horizontally by a pieced band of squares (3 squares high by 24 squares wide).  Fabric prints resemble stone textures.  Colors rangle from dark to light blue, and a bit of green.
Sliced and reconstructed to finish the top

I was thrilled with how quickly this all came together. I think talking myself into basting the quilt so I could quilt it took longer than the piecing.

City LIne quilt top draped over table, with safety pins in a grid design from basting the quilt sandwich.
Basting the quilt


I kept the quilting very simple, stitching in the ditch in the columns and checkerboard, then emphasizing all the vertical elements with evenly spaced vertical lines  in the background.

Quilt under a walking foot presser foot on a domestic sewing machine.  Quilt is partialy quiltied with straight parellel, evenly spaced lines in the background.
Quilting the quilt

Rosie seems a little unsure of the quilting choice but I like it. With the simple quilting and Hobbs 80/20 batting, the quilt is super soft, drapey and cuddly.

Dog sitting on upper right corner of the City Line quilt after quilting buit before binding.   Photo shows the straight line quilting of evenly spaced parallel lines in the quilt background.
Quilt inspector at work

I'm planning a quilt-along for this pattern.  It will be a very slow, easy pace, and hopefully a chance to get to know and encourage other quilters online.    No prizes, no hoops to jump through.  Just quilty fun.  When I asked for preferences in my Facebook group, there seemed to be a strong preference for September dates so that's what I'm looking at right now.  Check back for more details, or sign up to receive my newsletter to get the announcement in your inbox.  

I'm considering these fabrics from assorted White Owl Textiles Fundamentals collections for my quilt-along quilt.

Digital mockup of City Line quilt featuring staggered vertical columns, pointed at each end,  floating on a light background.  Each column consists of two vertical strips in contrasting color values.  The panel of columns is bisected horizontally by a pieced band of squares (3 squares high by 24 squares wide).  Fabric are in a range of blues on a medium gray background.
City Line by Canuck Quilter Designs
mocked up in assorted blue White Owl Textiles Fundamentals.

Now I'm off to work on a new idea that cropped up while I was scouring my EQ files to share the City Line design process with you.  There was another discarded idea in there that is now tickling my creativity with scrap quilt possibilities...

What is your creativity up to today?

Happy quilting,
Joanne

Cover of City LIne quilt pattern, featuring the quilt sample in the center, the Canuck quilter designs logo on the lower right and the pattern name and pattern number in a colored band at the top.
Find the PDF download version of the pattern in my Etsy shop
 or ask for a print version at your favourite quilt shop.





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